Comic Corner - The Star Wars #1

“Longer ago, in a galaxy even further away….” proclaims the cover of Dark Horse’s new comic mini-series The Star Wars issue #1. The comic visually presents for the first time the original Star Wars screenplay written in 1974. The story adapted by J.W. Rinzler, a name familiar to Star Wars fans, and illustrated by Mike Mayhew brings to fans a storyline speculated about for decades. It presents the Star Wars that may have been.

The Star Wars published by Dark Horse comics has been overseen and supervised by George Lucas, bringing his original concept to life. The story itself covers the struggle between the Jedi-Bendu Knights the former bodyguards of the Emperor in the old Empire and the current Emperor and his Knights of the Sith of the New Empire. The one Sith we get a glimpse of, Darth Vader, has a familiar name but an unfamiliar face. The action follows one Jedi, Kane Starkiller, and his sons including one named Annikin, as they return to the last Jedi refuge of Aquilae on the verge of a New Empire attack. The story ends as Starkiller makes a request of another Jedi, General Luke Skywalker the veteran leader of Aquilae’s defenses, as the attack is about to begin.

I have been waiting months for this story, if not years. Okay months since the announcement. I enjoy the Star Wars I have and Disney bought. But it is fun to explore the alternative story. For even casual fans there is plenty that will seem familiar, because as Rinzler points out in the preface the key elements are all there:

• Princes Leia
• A knight named Luke Skywalker 
• Jedi 
• Sith 
• Alderaan 
• Bail Antilles 
• Stormtroopers 
• A lightsaber battle

So even if you are a casual fan, like many Disney focused fans are, you will likely be able to pick up on key differences yet feel comfortable. The images provide by Mayhew will also make the reader be transported into a familiar Star Wars universe even if it’s not the one you are fully accustomed to. The ships and costumes all feel like Star Wars with a tweak. So it is not hard to see this story as being part of that universe.

I have been a little shocked that this story made it to print outside of Marvel. It was announced after the Disney purchase of Lucasfilm, so something this big seems like a natural fit for bringing Lucasfilm into a Marvel title. So I wonder if this story work was kicked off pre-purchase or during. And there have been a lot of rumors that 2013 was the end of the Lucasfilm/Dark Horse contract. Yet with this being an eight issue series this clearly extends into 2014. And the Brian Wood Star Wars original trilogy series seems to be booking along full steam ahead. So when and will Disney move Star Wars over to Marvel? I know there has been plenty of speculation and this only confuses and maybe discredits some rumors. Disney fans we should not forget that while Marvel was the original comic home for Star Wars, the Lucasfilm/Dark Horse relationship has lasted longer and been more successful than the original Marvel partnership.

I am reading this single issue format. I want these as they come out every month. A friend and fellow fan is planning on awaiting the collection trade of the entire story. I think one could do either and it is mostly based on your preference. I think if you are a Star Wars fan this is a must read. I think if you a casual fan/Disney fan you are likely going to be interested but should look to borrowing the trade from a library if possible. I do think it is very good, but I am writing this with a ton of fanboy behind me. To me this is an extension o f my childhood, so it is a delight.

I personally find The Star Wars as a must read for Star Wars fans and something of interest to Disney fans. Of course I am also the guy who opened his arms to both Marvel and Lucasfilm with a giant smile. I would love to see this title as part of the family as a Marvel publication. I do not believe Disney would ever green light a feature film based on this. But who knows what can happen with this tale if fans respond positively to it.

Comic Corner - Marvel's Iron Man 3 Prelude

It was an easy sale to get me to pick up Marvel’s Iron Man 3 Prelude #1. I got it for free for The Marvel Comics App. I like free, free is good. I like Iron Man, Iron Man 2, and The Avengers, they are good. So clearly, I was destined to enjoy this as I prepared to see Iron Man 3, which I will have seen by the time of posting and assume I will have thought was good. Sadly, despite my excitement, I was found wanting in this issue.

Marvel’s Iron Man 3 Prelude #1 is written by Christos Gage and Will Corona Pilgrim with pencils by Steve Kurth. The tale intertwines itself amongst the events of Iron Man 2 and The Avengers. The real main character is Rhodey (James Rhodes) as he follows the leads to track down a terrorist named The Ten Rings, which has supplied terrorists with weapons globally. You will also remember them as Tony Stark’s kidnappers in Iron Man. The issue ends with a cliffhanger as Rhodey in his War Machine armor may have gotten too close to The Ten Rings!

Okay, so I do really enjoy the tie-ins to several Avenger Initiative movies. This issue, for example, does an excellent job at explaining why War Machine did not join the Avengers in New York. And it addresses that Rhodey stole his first armor and shows Stark handing over an updated armor to Rhodes. We also see a glimpse of my beloved Agent Coulson in the background. Additionally, The Ten Rings is a clear foreshadowing of Iron Man 3 and the Mandarin. So I do feel like those who are only fans of the Marvel Cinematic Universe could pick up this issue and instantly understand all of the background without comics. Co-writer Pilgrim served as a researcher for Iron Man, The Incredible Hulk, Thor, and Captain America: The First Avenger, so he knows this version of the Marvel universe.

But, I do have two criticisms. First, they did not go all in. Rhodey looks like a buff handsome super hero, which is noticeably different than Don Cheadle's more unstated body type. Instead, he does look like the Rhodey from the comics. And even though Iron Man is in the title, this is really a War Machine issue and I wish that either this was highlighted in the title or that Stark had less of a supporting role. Second, I wish they would have given me the full story in a single comic. The purpose of this comic is to make me more excited about a movie that I am already planning to see (or will have actually seen when you read this!). This title did not change my impression either way, so charging me $2.99 for the second half or $7.99 for a print version with the whole 40-some pages seems like overkill. Especially since the story did not have enough action for me to choose to purchase the next half. I already know that Rhodey makes it to the movie!

Sadly, I did feel a lack of excitement for Marvel’s Iron Man 3 Prelude #1. I felt very vanilla about it. It is the type of story I would expect kids who devour movie tie-ins to enjoy. But adults will probably not find the strands of a story that will get them excited

Comic Corner - Guardians of the Galaxy #1

Disney and Marvel announced an unexpected choice for an August 2014 theatrical release for the second phase of the Avengers Initiative. The Guardians of the Galaxy is a hero team that most Disney fans are probably not aware of. And I will admit, even though I feel prepared by a childhood of nerdy for anything Marvel could throw at us, I actually confused this group with another, Corsair and the Starjammers, when I first heard the news. And I have a feeling I am not the only one who knows little to nothing about these space warriors that includes a space raccoon!

Marvel and Disney likely recognize this low public visibility for a property that they are preparing a tent pole movie around. I think the Guardians have less public visibility than John Carter! So I would argue some audience education is needed. This orientation has formally begun with the release of Guardians of the Galaxy issue #1 written by Brian Michael Bendis and illustrated by Steve McNiven. While the general public will probably not pick up this title, it should help to mobilize the comic book core audience. And with the inclusion of Iron Man in the story, they may attract some casual comic book fans also.

The book opens with Peter Quill, Star-Lord, attempting to win over a young lady of non-Earth origin on a space station. Peter is confronted by his father, the King of the Spartax planetary system, who warns Peter that Earth is off limits due to an agreement by a shadowy council of galactic rulers. Peter does not feel obligated to follow this edict due to his half human origin, his spiteful feelings towards his father and a fear that this pronouncement will actually but Earth at peril. Peter gathers his team Gamora (the most dangerous woman in the galaxy), Groot (a plant like creature), Drax, and Rocket Racoon (yes, he looks like a raccoon). The Guardians of the Galaxy arrive in Earth space just in time to join Iron Man in defending the planet against an alien attack. Can these heroes protect the planet?

I have a hard time recommending this issue. Honestly, it is the start of a bigger story and it is difficult to evaluate as a standalone issue. I assume that the whole will be better than its parts, but this piece is a lot of setup for the future. I fully intend to read the whole story arc when it is collected together in one volume, but I will not be picking up issue #2.

One problem I have with the story is the inclusion of Iron Man. The reason that the Guardians bump into Iron Man, who is joy riding, is based on a statement that Peter made to Tony Stark either in another title at an earlier date or off screen. But the comments that leads to Stark’s joy ride are thin and it comes off as forced. I would have been happier if the reason that Stark intersected with the Guardians would have been pure coincidence and had no links to Star-Lord and his team. I understand the need for Disney to make their number one superhero cross paths to bolster the 2014 movie. But in this story it failed for me. I feel really sad saying that since I generally enjoy Bendis’ writing.

This issue really focuses on Peter Quill and not the members of the team. One friend, and Between Disney reader, noted that Bendis frames Star-Lord as a Han Solo type character. He is a touch of rogue with a sprinkling of hero. Honestly, placing Quill into the Solo mold may be a good choice for Disney/Marvel as this is a formula that has proven to work. The rest of the characters, even the raccoon, are not given much space to develop their characters. Marvel has introduced a set of free online comics that focus on the non-human members of the team and help put flesh on Drax, Gamora, Rocket and soon Groot. I personally think this is a good marketing choice. The Gamora issue helps establish a tie to Thanos, a character we know will be a major focus in Phase 2 of the movies. The Marvel name will help Disney sell this film, but the audience needs to be introduced to these characters if they really do want box office success.

Honestly, I am hopeful for the cinematic Guardians of the Galaxy. It has superheroes and sci-fi so I want it to be a hit. I want to know more about the Guardians, because my personality desires more and more information. But instead of following this title on a monthly basis, I am going to look forward to a collected trade edition of this story arc.

Comic Corner - Secret Avengers #1

Marvel and Disney have an interesting situation on their hands. The Marvel Cinematic Universe is widely popular, and in 2008, Samuel L. Jackson began to firmly establish himself as Nick Fury in Iron Man. Anyone who has only been exposed to this second level Marvel character, on the big screen, can only visualize Fury as Jackson. So for those who explore comics because they enjoyed the Avenger Initiative may be surprised when the stumble upon Fury in print. Yes, Nick Fury in the Ultimate Universe is stylized to look like Jackson, but in the mainline Marvel Universe, Earth 616, super spy Nick Fury is a gruff Caucasian man. In this universe Fury is more along the lines of Clint Eastwood than Samuel L. Jackson. And though this is a comic universe where things can be changed with a brush stroke and a few lines of story, his ethnicity is a little harder to change since Fury has been Caucasian since 1963. So how does one reconcile Marvel history with the expectations of those who have only seen the movies? I believe Marvel thinks they have found their solution in Secret Avengers.

With issue 1 in February 2013, Secret Avengers caught my attention for two reasons. First, it advertised that Agent Phil Coulson was featured. I am a big Coulson fan! Second, it would feature an African-American Nick Fury. The full cast of the title includes S.H.I.E.L.D. agent Maria Hill, Hawkeye and Black Widow. With 4 members of The Avengers cast, this title is clearly reaching out to fans of the movies. And then adding an African-American Nick Fury completes the attempt to bring movie audiences to a print title. And honestly, though Avengers is in the title, this really is a S.H.I.E.L.D. book. But I personally feel the title choice was to help readers coming from the Cinematic Universe, as they are not yet familiar with Avenger ID cards, an Avengers mansion or self-governing superheroes not backed by S.H.I.E.L.D. But the Avengers label is likely needed to help lead new readers to the concept that this title is related to the movie franchise. Another link to the movies is Hawkeye’s costume, which is far from his traditional over the top purple costume.

As the story opens in Secret Avengers #1, Hawkeye is being taken captive in a foreign land, on a mission that Hawkeye has no knowledge of, in an undisclosed location. This leads to a series of flashbacks where Coulson recruits Hawkeye and Black Widow to serve as Black Ops agents for S.H.I.E.L.D. The duo is introduced to their new field commander, an African-American Nick Fury dressed in a Captain America inspired uniform. The team hits the ground attempting to capture a dealer in black magic before his skills can be used to strike a vital title in the United States. Throughout the book we learn there are secrets upon secrets ranging from why Hawkeye and Black Widow took this assignment to what S.H.I.E.L.D.’s full motivation for using these former Avengers. The story provides hints to action that could happen in future issues and the secrets that can be revealed but the main story is fully resolved in this introductory issue.

Secret Avengers is part of the Marvel NOW! reboot, restructure, reset, or whatever "re" word you want to use. Basically this is a good opportunity to reconcile the print and the cinematic world. And since other changes are occurring, now is the time to bring an African-American Nick Fury into Marvel mainstream with the least disruption. I do understand that Nick Fury is already modeled after Jackson in the Ultimate universe, but I can see how cinema fans want their preferred Fury in the main universe and not a secondary, though exciting, Marvel storyline. At the same time, they also make it clear that this Fury is not the same one that has been around since 1963, a move which should satisfy long-term fans.

Baby Variant Cover - Pointing Out this Team is Low on Powers

Of course it is Fury and Coulson that I laid down my money for. This young and new Nick Fury is modeled after Jackson. He also is a character with unclear motives, much like the movie version. The biggest difference is this Fury is fighting and leading in the field while the Jackson version is largely directing from the bridge of the Helicarrier. I do have a lot of questions about this Fury. It appears that I can find answers to some of these questions in a title called Battle Scars which concluded before Secret Avengers. That series also introduces Coulson to the Marvel mainline universe. I have to admit that I did really enjoy Hawkeye’s reaction to this new Nick Fury! Hawkeye and Fury discuss if the name Nick Fury and James Bond are actually code names for agents and not specific people. It kind of cracks me up to watch a Marvel character attempt to reconcile Bond canon which is far from as complicated as Marvel fictional history. I must admit that I have not warmed up to this version of Coulson. I have seen an animated version of Coulson in Ultimate Spider-Man which is part comic relief straight man and part action hero. This Coulson in this single issue is, well, a used car salesman. I feel like the Coulson in the Marvel Cinematic Universe is a straight up guy. This guy on the other hand feels a little slimy as he plays let’s make a deal.

The graphics are, in my opinion, solid in this issue. They really help set the stage for a tale that it more spy story than superhero epic. The settings are dark and filled with the back alley type settings you would expect from a black ops team. Sadly, unless the images are super cutting edge, I really do not take full notice of them until they are distracting from the story.

From the business side, I can see why Marvel and Disney both want Secret Avengers. In this title, Marvel brings the movies and Marvel tradition together in a way that could bring new readers to print, paper or digital. I found Secret Avengers #1 a solid endeavor. But with limited money, and new Dole Whip shirts to buy, I will probably wait to borrow the collected trades of this series instead of following it month to month.