Mousey Movies - The Stan Lee Cameo

Stan Lee

Throughout the Avengers Initiative there has been several connective themes that tie the movies together.  First, Samuel L. Jackson has consistently appeared as Nick Fury, the Director of S.H.I.E.L.D.  And Clark Gregg has consistently portrayed Agent Coulson.  But another actor has appeared throughout, just not as the same character.  That master thespian has been Stan Lee, who has played a cameo role in almost every movie containing a Marvel character. 

Who is Stan Lee?  In many ways Stan Lee is the Walt Disney of the Marvel universe.  In 1941 a nineteen year old Stan Lee was made Interim Editor of Timely Comics, which would later become Marvel Comics.  His job before this was an assistant who was in charge of making sure the inkwells were filled!  For the next 6 decades Lee served as editor, publisher, writer, and creative force within Marvel Comics.  He co-created characters such as Spider-Man, The Incredible Hulk, The X-Men, Thor, Iron Man and many more.  During these years he helped transform Marvel from a small publishing firm to a major corporation spread across several media platforms.

Lee has never been afraid to perform to support Marvel properties.  For me I was first introduced to Stan Lee as the narrator of the cartoon Spider-Man and His Amazing Friends.  He brought the tales of the web slinger into my home and the homes of other true believers every weekend, and it was wonderful.  If you want to get my attention, add Stan Lee to the mix!

As Marvel expanded into movies he began to make cameo roles.  Some were somewhat anonymous, such as his first cameo as a juror in the TV-movie The Trial of the Incredible Hulk.  Other cameos were established Marvel characters such as postman Willie Lumpkin in Fantastic Four.  Others have honestly been odd, playing celebrities.  One thing is common with every one of these cameos, they make you smile and you fill with pride as you spot Lee’s appearance. 

Now Lee is not Marvel’s John Ratzenberger.  Unlike the Pixar lucky charm, Lee has not appeared in every Marvel film.  For example, Lee is not present in X-Men: First Class due to scheduling issues.  But if Marvel can work it in, Lee will be added to the cast. 

The following are the Stan Lee cameos in the Avengers Initiative to date:

·     Iron Man: Stan Lee appears as Hugh Hefner?  Actually Tony Stark confuses Lee for Hefner, but Lee is playing himself.  Lee as Lee really does make more sense than Lee as Hefner, but this is not the last time he will appear as an elderly celebrity.

·     The Incredible Hulk: Mr. Lee drinks a bad soft drink, one infused with Bruce Banner’s blood.  As expected, Gamma radiated blood will make one ill!  

·     Iron Man 2: Lee appears at the Stark Expo as Larry King!  Yet again Lee shows his versatility playing another celebrity.

·     Thor: I have to admit this is my favorite cameo.  Lee plays a good old boy trying to use his pickup truck to pull Thor’s hammer Mjolnir out of the ground.  Does truck or hammer win?

·     Captain America: The First Avenger: Lee plays a World War II general.  Finally Lee receives a role that is suitable for a man of his stature.

For your viewing pleasure, this montage contains all of Lee’s cameos in major Marvel films including the Avenger movies.

Who do you hope Stan Lee plays in The Avengers?  I am pulling for President of the United States.   After being a general he can only go up!  Whatever role he plays, you can pretty much guarantee that Lee will make his presence known when The Avengers premiers! 

Between Books - True Believer: The Rise and Fall of Stan Lee

I think it’s impossible for a biographer to not develop a bias. As you spend enough time with a figure, the time really needed to chronicle a life, you either come to put them on a pedestal or despise the thought of them. I think that Abraham Riesman came to despise Stan Lee while detailing the Marvel legend’s life. It could have been due to choosing a side in the Marvel creator wars, everyone needs to side with either Stan or Jack right? Or maybe the drama and messiness in the final decades of Lee’s life was too much. But it is clear in with commentary often found in the text, Riesman has little to no admiration for Lee.

True Believer: The Rise and Fall of Stan Lee by Abraham Riesman is an extremely depressing tale. The biography provides the major steps of the Marvel legend’s life from birth to death to legacy. The story, without summarizing every milestone, is one of creative frustration, professional duplicity, familial strife, and business criminal charge. Lee is portrayed as a man who was an excellent marketer with questionable creative skills. As a man who disliked confrontation, he failed to always share the full story and allowed myths to build up around himself. This trend also allowed unscrupulous people, including family, to surround him and take illegal actions often in his name through Stan Lee Media and POW!, which were both accused of several criminal financial offenses in Lee’s name. Finally, in his final years, Lee was a victim of elder abuse by business partners and his daughter who all saw him as a financial cash cow.

Let me start with Riesman’s writing. It is riveting, engaged, and brings a reader into the sad story. But Reisman also clearly as an anti-Stan bias. This leads to commentary within the text that takes the opportunity to tear down the Marvel editor even when it’s unneeded. There is definitely a view that says Stan Lee was all bad while others, like Jack Kirby, were all right. And while Kirby may have some of the higher road in this story, I think we cannot automatically argue that Lee brought little to Marvel’s greatest creations. I think the clear bias is what leads me at times to question all of the story as fact. For example, in Lee’s senior years, it comes off as Riesman wants Lee to be involved in the illegality done in Lee’s name versus what he claimed which was ignorance. It’s not impossible to believe that Lee has some level of confusion and deniability to these acts due to his age, financial pressures, and series of bad choices of those he put around himself. For me, I can see the Lee was bad story but I can also see the Lee was a senior citizen who made bad choices about those he trusted. Lee the marketer was a manipulator, and I can see Lee being manipulated.

I will also admit I have a bias too. I am generally pro-Lee thanks to early exposure to him in media like Spider-Man and His Amazing Friends. I enjoyed his public persona. And I have come to believe that Lee and Kirby were better together than apart. This left me feeling combative at times to the author and definitely made me feel queasy.

Here is for me the real value of Riesman’s book. Stan Lee’s life was not as marvelous as we may want to believe. He was creatively frustrated. He produced less than he wanted to and never felt creatively accepted. While he was in a marriage full of love, it also created financial strains that would always put pressure upon him. Even more sad, his relationship with his own daughter was broken beyond repair. And while in his final years we saw the public smiling Stan at premieres and in videos, he was surrounded by people who really only wished to use his name for their own purposes. It is a life less excelsior than any of us would wish for another human.

True Believer: The Rise and Fall of Stan Lee by Abraham Riesman is not a happy book. Readers should be warned. It is well-written and interesting but is also clearly anti-Stan. The picture that the reader walks away from is sad, will make you question your heroes and mad about how we can treat each other. In the end, Stan Lee’s life was as real as those he attempted to create in the pages of his comic books. 

 

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Between Books - Amazing Fantastic Incredible

Amazing Fantastic Incredible: A Marvelous Memoir by Stan Lee, Peter David and Colleen Doran allows Stan Lee to narrate the story of his life through the literary style he revolutionized… comics.  Lee tells the tale of being a boy who loved to read and lose himself in the adventures of books.  The Lieber home, as Stan Lee was born Stanley Lieber, was one of contrasts as his mother believed Stanley could do and be anything while his father appeared to be constantly searching for success in supporting his family.   Stanley dreamed of growing up to be a writer thanks to his love of reading.  Lieber got his first serious break by becoming an assistant at Timely Comics where he worked with editor Joe Simon and artist Jack Kirby.  Eventually publisher Martin Goodman would put Lieber over all comics, with Simon and Kirby leaving the company.  After military service in World War II, Lee would return to comics and find himself a wife in Joan Boocock.  Lee would find himself in the 1960’s dissatisfied with comics and with the encouragement of Joan would attempt to write one more story but in his own style, leading to the creation of The Fantastic Four with Jack Kirby.  His new story was under the name Stan Lee so he could use his real name for real writing.  This success would be followed by others as Lee created heroes with real problems like Spider-Man, the Hulk and even a God with Thor.  From here, Lee would publicize and grow comics and superhero stories, eventually leading to his numerous cinematic cameos.  

I found myself quite surprised with Amazing Fantastic Incredible.  Lee is a very positive and large personality in his public image.  And Lee in the memoir’s narrative is generally positive and large.  And while he does not forget to pat his own back, he also greatly praises the work of others including Jack Kirby who in the text and art is virtually made a saint.  Lee does not pull back from potential disagreements.  Well actually he does.  He notes and discusses disagreements with Kirby, Steve Dikto and even his brother Larry Lieber.  But while he acknowledges them, he neither attacks the other parties nor defends himself.  Again, while Jack Kirby before his death may have held resentment towards Lee for the credit he received publicly versus himself, Lee puts Kirby on a pedestal.  Another example of how he treats uncomfortable topics is the death of his second daughter.  Lee mentions it and then the comic format allows us to understand how the event made him feel.   And really it is interesting to see Lee’s life played out in comics.  It allows the read to be quick yet informative.  The format really worked much better than I thought.  And it was more than a hooray for Stan autobiography.    

 

I would suggest comic fans at least borrow Amazing Fantastic Incredible.  I did borrow as the $30 list price is to rich for my blood for the breezy read one gets.  While the memoir is far from groundbreaking or deep, it is fun and enjoyable.  In the end it is a nice use of the format without too much text and good use of images to help convey emotion and story.  

Between Books - Origins of Marvel Comics: The 50th Anniversary Edition

1974’s Origins of Marvel Comics has long been on my bucket list of to read. But other books got in the way or I would say it’s nearly 50 years old and going nowhere fast. I can get to it later. Then editor Chris Ryall pushed this classic volume to the top of the list by packaging the Stan Lee classic into a pretty package that reached out to my nostalgia and history-loving heart.

Origins of Marvel Comics: The 50th Anniversary Edition by Stan Lee and edited by Ryall repackages the Lee text for a contemporary reader. Ryall provides readers with the Fireside book including all of Lee’s original commentaries and the art to match the original, for example, a green Hulk seen in the 1974 book and not the gray Hulk from the original comic. The stories found in the book include reprints of the origins of the Fantastic Four, Hulk, Spider-Man, and Doctor Strange along with a later issue to show more developed versions of the beloved heroes. Along with the original book are essays that discuss the history and importance of the book. Today’s writers using the light of history also discuss Lee’s original remarks with some looking to provide credit to writers like Jack Kirby, who felt that Lee’s words diminished their efforts. But, this is not a Lee-bashing book with the inclusion of essays from Lee proponents like his brother Larry Leiber. Artist Alex Ross provides the hardcover’s dust jacket with a new homage cover, which he provides a step-by-step process for within the text. As we look back at much of the controversy of the creation of many of these heroes, the new 2024 edition is a very balanced approach, recognizing the efforts of both Lee and his partner artists.

Reading this today, I am really glad I waited and didn’t try to find a secondary market copy of the 1974 or other editions. My assessment of the Marvel creators is that much like Disney corporate history, everything worked best with dual genius leading the way (Walt/Roy or Michael/Frank). I think that the golden age of Marvel creation was pushed forward by Lee and Kirby, Ditko, and other artists. Lee’s original introductions balance this reality, with him calling out the King Jack Kirby and his partnership with the Fantastic Four. But he with Doctor Strange wrote an introduction that was full Marvel publicity machine with Lee highlighting his efforts and framing Ditko’s role as assigned artist not a key voice in the Strange creation. These introductions from Lee give you the two sides found in the Marvel media machine of the 70’s, an all-encompassing Stan Lee with nodes to important artists that made the funny pictures come alive.

The new essays are not going to change everything. For example, the Lieber interview does not fully address the known tension between the brothers. But I do feel like the Lieber discussion does help show how Lieber feels today, as the surviving brother who in many ways is cherishing the memory of a brother who while distant at times was also supportive and brought him into the Marvel family.

Origins of Marvel Comics by Lee was an important cultural moment in the popular acceptance of comic books. Fireside put Marvel stories in a bound book and placed the stories in bookstores. Ray Bradbury wrote a review of the book, included in the text, which demonstrated the important literary moment for comics with this publication. In the book, even Lee calls the comics strips, the more culturally accepted visual media of the time. There were no graphic novels. In fact, this may be one of the first models for a graphic novel. Bookstores were not being kept afloat with large sections fills with graphic novels and anime and all the toys and gear associated with these properties. Fireside with this book made reading a comic acceptable due to the bound nature of the book. This first offering led to other Lee and Fireside offerings in books like Son of Origins of Marvel Comics and Bring on the Bad Guys. And this reader hopes that Ryall is given the chance to repackage some of the other volumes for today. Especially since these hardbacks would look really great side-by-side.

Origins of Marvel Comics: The 50th Anniversary Edition by Stan Lee and edited by Chris Ryall is a must-read for Marvel Comics fans. Even those who have a vintage copy on their shelf, will want to grab the new edition. First, let’s be honest, we are collectors. Second, the new essays and Ross’ art add to the context of the entire project. Finally, for those who have not dipped their two in, this work is an important moment in not just Marvel but now Disney history and you may wish to check it out. Without Lee’s bigger-than-life personality, we would fail to have the Marvel Cinematic Universe and other Marvel stories in so many formats that exist today.  

 

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Between Books - Marvel Comics: The Untold Story

One of my best days as a Disney fan was the company's purchase of Marvel Comics.  I have often joked that all Marvel has to do after the LucasFilm addition is buy the Chicago Cubs and they have all of me.  To be fair, I would need them to buy a lacrosse team too!  The Marvel purchase has re-energized me in my love of comics, and loving history I have been seeking more and more about Marvel's past.  Needless to say, the over 450 pages in Marvel Comics: The Untold Story gave me plenty to think about.

Marvel Comics: The Untold Story by Sean Howe is a history of Marvel Comics from it's creation amongst a world of magazines to the Disney purchase.  The story begins with Martin Goodman and his Timely Comics founded in 1939.  Goodman liked to change the names of his magazines, comics and companies often, which lead in 1961 to Goodman's comic arm becoming Marvel Comics.  It is also in 1961, when Marvel's fortunes were on the rocks that editor-in-chief Stan Lee and artist Jack Kirby introduced The Fantastic Four to the public as Marvel's first real superhero comic.  With the success of this super team other new creations followed including Iron Man, Thor, Spider-Man, the Hulk and the super team Avengers.  But despite all of the success that this Marvel Age brought the company there were still squabbles over royalties, credit and artistic freedom in the halls of Marvel, which was far from Stan Lee's happy picture of the Marvel Bullpen.  With the fortunes of publishing often waning, Lee attempted to lead Marvel into Hollywood attempting to get Marvel characters on television and movies.  Due to poor creative and business choices, Marvel would become a target of other companies for purchase, eventually with Disney buying Marvel's impressive character catalog.

Marvel Comics: The Untold Story is massive.  And I have noticed amongst my friends who have read it, no one read it fast.  It is dense and full of information, so do not expect to sprint through this very detailed and clear book.  This one will take some time, in fact I have been reading it slowly over a few months.

I have never seen Mad Men, but this is how I picture it would be.  As the company becomes a critical success in the 1960's men in ties work at drafting tables making heroes come alive.  However, there is a seedier darker side where creators vie for attention and struggle to get paid.  Some of the saddest portions of this text is reading of the relational damage these men did to each other as they fought to make a dollar as contractors and Marvel sought to stay profitable often by shorting the men who brought them stories.  This Mad Men was followed by the drug induced images of the 1970's as Marvel's office included many creators enjoying youth and available drugs to explore. 

Of course, one of the key players in all of this is Stan Lee.  Lee wrote the stories, mostly or kinda. He created the Marvel method where he provided artists with outlines, allowed them to draw and then added text afterwards.  And he hired and fired the staff.  I know that there is much debate about how creative Lee actually was during the Marvel Age and if he rode on the coattails of others like Kirby.  And it saddens me to read in these pages of the arguments between the two over creative credit.  So as one reads of Lee's move from New York to California to seek Marvel's Hollywood fortune, it comes as no surprise that he abandoned the world of monthly creators to go somewhere that isolated him from the office politics of the New York office.  I do feel that Howe portrays Lee correctly, as someone who is not a devil and may have mixed his facts sometimes.  But it also appears that he often attempted to give credit to his creative partners and was as upset as them if stories were too Lee-centric.  Another aspect I had not considered about Lee was the impact that the work for hire rules had on him.  While Marvel paid him well as the face of the company, he also had surrendered royalties to his greatest creations to the company while producing them for Marvel's titles. 

One aspect that I found intriguing was the long progression to get Marvel comics into film.  Lee efforted for years as Marvel stories were in development hell.  And he had become familiar with Marvel movies dying before they could enter production.  I think today we have become some used to the success of the Marvel Cinematic Universe, that we would not even think to consider that it did almost never happen.  

I did find myself laughing as one sales director is quoted as saying, "Marvel is not Disney (Howe, 385)."  They most definitely are now!  Over a decade later they would be.  Marvel in that late 90s began to experiment with harder edgier titles like Alias about Jessica Jones.  Creators amped up the violence and adult situations attempting to bring in adult paying audiences.  I have found it interesting in my own looks at Disney to consider that it is a family entertainment company where Marvel is based on the popularity of action violence.  And in many ways while Disney today attempts to use Marvel to bring in young boy audiences, it is the one arm of the company that appears to be able to provide the most edge.  

Marvel Comics: The Untold Story is a must have for Disney fans who want to know more about all arms of the company and Marvel fans.  The tales found within its pages are not as black and white as the color comics that Marvel produces.  But it is a story of intrigue and men under pressure that many will be able to enjoy. 

Between Books - Marvel Masterworks Presents Sgt. Fury and His Howling Commandos, Volume 1

 

Sometimes I think it’s fashionable to question the writing skill of Stan Lee. Many want to credit him for his marketing and promotional skills, but not his writing. We all know that The Fantastic Four changed the comics industry. But often the credit goes to Lee’s co-creators and not Lee. But for me, I have often argued that Lee was someone who was creative and artistic and partnered with other fantastic creatives to make great things.

Marvel Masterworks Presents Sgt. Fury and His Howling Commandos, Volume 1 collects the first thirteen issues of the 1960s comic written by Stan Lee with art by Jack Kirby and Dick Ayers. The stories depict the fictional United States Army Commando Nick Fury and his band of seven Howling Commandos. They are sent on secret missions in the European Theater of Operations, once to the Pacific. The missions are generally the same, something fantastical for non-superheroes to complete. And generally, Fury and his Howlers win the day (okay there are more volumes) through teamwork and fierce dedication to duty.

The stories are as good as any military action movie not based on a true story. Lee deals head-on with issues of class and race which were prevalent in the discourse of the 1960s. He does not hide from it but instead gives a very traditional conservative military landscape for these issues to be played out. And in the heat of battle, as one would expect, right often wins out. And while Kirby may have framed the action, we cannot forget that these messages were scripted with words given by Lee and are very consistent with his other writings on social issues.

There is a reality to this writing. This is a war story, not a superhero one. And yes, Captain America and Bucky do make a co-starring appearance. Yes, Baron Strucker is a villain, but he is one on par with Sargent Fury, not Captain America or future Agent Nick Fury. This volume reminds us that while Marvel is known for superheroes, we cannot forget comics including multiple genres including military, horror, and romance, formats that Lee, Kirby, and Ayers were all familiar with. A constant complaint about comic stories is that they often lack weight. If you are not Peter Parker’s Uncle Ben, you can be killed and return again. But here, characters are killed, and we know they have passed. As a reader, you can feel the grief. Lee and his artists crafted tales they felt were real.

I have an unpopular opinion. Jack Kirby draws really ugly people. Often in comic books, this doesn’t work for me because superheroes are well pretty. Kirby’s art works perfectly here. This Fury is ugly. He is a dogface, unpretty, and not yet Marvel’s super spy. Dino Manelli, the pretty boy in the group and former actor, looks very different from the gruff squad leader. And of course fan favorite Dum Dum Dugan looks differently than both of them. Kirby’s art works perfectly for me, and Ayers when he picks it up matches pencil to pencil. They created a group of separate models that differ and do not merge.

I’d say don’t sleep on Marvel Masterworks Presents Sgt. Fury and His Howling Commandos, Volume 1. I found a kindle version for less than a dollar. Kindle Marvel collections often are put on deep discounts. Lee, Kirby, and Ayers were all veterans of World War II and clearly were passionate about telling the story of Fury and his men, giving it more realism than one expects from a Marvel title. The collection also reminds us why Lee and Kirby really were the masters of their industry, especially when collaborating together.

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Between Books - Was Superman a Spy?

Was Superman A Spy?: And Other Comic Book Legends Revealed! recounts anecdotes from the history of popular comic book titles.  Author Brian Cronin organizes his book into sections on DC, Marvel and other comic book companies.  Within the sections are chapters on popular comic book superheroes such as Batman, Spider-Man and publishers such as Disney.  Typically Cronin’s stories follow the origin of key titles and miscellaneous incidents from publishing history.  Additionally there are a number of photos and comic art to visually support the tales.

The big question is why should a Disney fan care about this book?  First, with Marvel now being a Disney property, after the writing of this book, the history of Marvel will be of interest to general Disney enthusiasts.  The print history of two characters found in The Avengers, Captain America and the Incredible Hulk both receive their own full chapters.  But for me the Marvel history that I found the most interesting is the role of Stan Lee within the company.  Cronin makes it clear that some Marvel colleagues resented Lee while fans celebrated him.  Some, including prominent collaborators like Jack Kirby, saw Lee in the limelight as their own contributions were marginalized.  Additionally, Lee’s somewhat faulty memory often led to their contributions being ignored by Lee himself.  The Marvel Method, outlined by Cronin, developed by Lee also created antagonism.  While Lee served as Marvel’s primary writer he could not give full attention to the numerous books he helmed.  So instead of pre-writing stories he and the artist would discuss the general story concept.  The artist would draw the story they discussed and then Lee would provide the script and narrative to the completed images.  Lee would at times take the story in a different direction then the artists envisioned, leading to conflict between Lee and others.  In many ways this method paints Lee as an almost Walt Disney figure, coordinating the efforts of many talented people much like Disney did with his animators and Imagineers. 

Second, Cronin provides an entire chapter about Disney comics.  Though I have not read any of these in depth, I did find the chapter highly interesting.  I did not realize that Scrooge McDuck originated in print and not in an animated short or feature.  I think most savvy Disney fans would be interested in reading of a storyline suggested by Walt Disney himself around a suicidal Mickey Mouse.  Additionally, I enjoyed reading about Disney’s conflicts with Marvel, pre-Disney ownership, over the character Howard the Duck and similarities to Donald Duck.  I found the concession of forcing Howard to always wear pants highly amusing.

Finally, Disney is sprinkled throughout the book.  The Batman chapter makes references to the use of the Batman theme song to train Dolphins at Epcot.  And there is a discussion about how Snow White and the Seven Dwarfs impacted the budget of the Fleischer Brothers Studio’s Superman shorts.  Yes, the impacts of Disney properties are spread throughout this book. 

A friend loaned me Was Superman a Spy? because of the Disney chapter.  I found the book easy to read, but broken into episodes which at times left the reader wanting to know more about these titles.  Of course, some of these titles have had entire books written about them. I would recommend this book to those who want to dip their toes into comic history but not make a deep dive into any one title.  But it is far from the definitive work on any of the topics included.      

Between Books - X-Men: Children of the Atom

I have liked the concept of Essential format reprint books, providing a lot of comics for a respectable pennies per page.  But I have not liked how generally these collections have lacked color and relied on black and white to lower the price point.  So when Marvel announced their Epic Collection, reprinting past Marvel comics in collections hundreds of pages in length...and in color...I had to sample one of the volumes.  And since I have never read the original X-Men stories I knew exactly where I needed to go first!

X-Men: Children of the Atom collects X-Men issues 1 through 23 in a 509 plus page collection.  The volume starts as a new student Jean Grey joins  Professor Xavier's private school.  The four other students; Scott Summers, Hank McCoy, Warren Worthington, and Bobby Drake, like Xavier and Grey are mutants.  Mutants are extraordinary humans who have been born with genetic enhancements making them more than human.  Together the five students under Xavier's command form the team the X-Men.  The students have a number of challenges to face from evil mutants like Magneto and the Blob, changing public opinion, mutant hunting robots called Sentinels, and alien entities like the Stranger.  The Mutants must learn to harness their powers and work together if they are to survive this volume!

The opening stories are written by Stan Lee with art by Jack Kirby.  I have discovered I am not always a fan of the King's art.  And I generally am not a fan of his work in this volume.  For me what stands out is Stan Lee's writing.  That is not to say that much of it is not corn, because it is corn.  But as Walt Disney would point out, corn sells.  What Lee did was construct five solid young people that teens could relate to even today.  The group has relationship problems and struggle with concerns about fitting in.  And even decades later these themes stand out.  And I found myself shocked by how X-Men standards like Magneto and the Sentinels appeared so early in Marvel history.  Lee is eventually replaced on the title by Roy Thomas, who wrote Marvel's original Star Wars comics. And one can sit back and see how Thomas was attempting to build on Lee's work, while being really really wordy.  And I think both of them really focused on giving Proffessor X very specfic time measurements.

I still am confused on whey these issues have multi-colored word balloons.  Seriously, it is not like the baloons are color coded! 

Cyclops, Marvel Girl, Beast, Ice-Man, the Angel and Professor Xavier have a long and storied comic history.  And the X-Men has always been one of my favorite super teams.  I loved this Epic Collection and found myself hungering for more.  I personally dove into every one and then washed it down with an episode of The Danger Room podcast, which I highly recommend, and was saddened when I ran out of issues in this collection to enjoy.  I look forward to future X-Men Epic Collections, and have already dove into another Epic Collection enthusiastically.

Between Books - Marvel Masterworks Presents the Avengers

I’m really excited about The Avengers.  I wonder if you noticed!  This is a Disney blockbuster that is easy to get behind, but it should be high quality and successful enough to promise us more.  I have been preparing for The Avengers rewatching the Avenger Initiative movies and watching Ultimate Spider-Man and following Clark Gregg on twitter.  Yeah, I’m pumped.  For my final preparation I decided to go back to the beginning, to visit 1963 when the Avengers assembled for the first time. 

To do this I picked up a copy of Marvel Masterworks Presents The Avengers.  The graphic novel collects the first ten issues of The Avengers from September 1963 to November 1964.  All ten stories are written by the legendary Stan Lee, the creator must have a legendary cameo in this movie.  Mr. Lee provides an introduction to the collection, noting that in the heyday of Marvel’s renaissance in the 1960s they realized that team-ups were profitable, leading to a permanent team-up book in The Avengers.  The first 8 stories are drawn by legend Jack Kirby with the last two being drawn by Don Heck.  Instead of providing an overview of every tale I want to give you my observations from this read and how they may link to The Avengers movie.  I apologize for spoilers, but these tales are nearly 50 years old!  Did Stan Lee even have a mustache back then?:

·         Original Sin:  From The Avengers trailer we know that Thor’s brother Loki is a primary villain this May.  This is so appropriate as it was Loki that originally brought the first Avenger team of Iron Man, Thor, Hulk, Ant-Man and Wasp together.  It’s a great throwback to the first story that many fans won’t know about.            

·        What’s in a Name:  Most of us know the alter ego of the Incredible Hulk as Dr. Bruce Banner.  Though some of us may remember Bruce Bixby playing Dr. David Banner on television during our formative years.  Hulk goes by three different names in these original stories.  They use the familiar Dr. Bruce Banner often.  But he is also referred to as Dr. Bob Banner.  Now this one through me since I had not heard it before.  Now technically he is Dr. Robert Bruce Banner, so Bob does pass the sniff test.  But in one instance a friend calls him Dr. Donald Blake.  Now this is an instance where an editor was needed since Dr. Donald Blake as we know from Thor is not Hulk but Thor.  Clearly this was a mistake where an editor failed to pick up on the goof.  But it is right that Hulk struggles with his true identity.  In The Avengers a third actor in three films will be taking on the role.  Mark Ruffalo takes over from Edward Norton who followed Eric Bana as Banner.  The Avengers simply continues 50 years of identity confusion for the green avenger.      

·         Return of the King:  Marvel warns you in the opening pages of issue 4 to treat the edition as a collectors’ item, because it features the return of Captain America and his addition to the Avengers. In 1954, Atlas Comics, which would later become Marvel Comics, cancelled Captain America and Cap’s days of fighting the Axis in Europe was over!  In 1964, Mr. Lee and Mr. Kirby (who had drawn Cap) brought the Boy Scout hero back from the dead and publication limbo as a member of the Avengers.  Of course, it’s not easy to have been gone for such as long time.  Therefore, Steve Rogers has to battle with the demons of such a long time on ice (pun intended).  In one scene he actually has a physical confrontation with his new partner Rick Jones as he attempts to model himself after Cap’s old deceased partner Bucky.  And I expect in The Avengers will see Captain America dealing with being suspended for over 50 years in the Marvel Cinematic Universe.         

·         The Weaker Sex:  I am a dad of a girl.  And the female heroes in Marvel Masterworks Presents The Avengers are not the role models I am looking for.  The Wasp is well, shallow.  She cares about looks, commenting constantly on how handsome men are or what they could do to be more attractive.  And she is very concerned with her looks.  And the other females in the first 10 stories are not much better.  Susan Storm from the Fantastic Four in her one frame is too busy to discuss a pressing issue, she has a fashion show to go to.  They are pretty much the opposite of the strong and smart Black Widow I believe we will see in The Avengers.  She may be properly accessorized, but she’s does not seem afraid to get her hands dirty!    

·         The Greatest Enemy:  Throughout these tales the Avengers continually fight a reoccurring opponent, themselves.  Often the Avenger to get piled on by the rest of the team is the Hulk.  Poor Hulk, he wants to be a hero but when you express yourself through smashing you are often misunderstood.  And he is not the only Avenger who gets into a fight with one of his teammates.  Let’s just say if we see Thor and Iron Man getting into a fist fight, or anyone trying to smack down the Hulk from the Avenger team the tradition simply continues. 

·         Silly Rabbit:  Reading an old comic book is an adventure!  Stories were not as tight and slang is used that can lead to an unintended chuckle decades later.  The stories here have points that make 21^st century man laugh.  One of my favorites is Captain America’s arch enemy Baron Zemo has had a hood stuck to his head for nearly 20 years after a World War II battle with Cap.  It’s only in his latest struggle that he realizes he may want to search for a solvent, not just revenge, which could actually remove the hood.  He declared he never thought of the idea!  In another scene Wasp uses the phone to call the police.  She’s in her miniature Wasp form not her standard height.  I wonder if she had to scream and sounded squeaky to those on the other end of the line.  Can I be honest, I could use a silly scene or two in the new movie.      

      Marvel Masterworks Presents The Avengers is a great way to get yourself into an Avengers state of mind! In these pages you see the first meeting of the Avengers, the stories that started it all. They are an adventure written and drawn by comic book legends and well worth the read as you prepare for May 4th.   

      

Mousey Movies - Spider-Man



Were Betweenlanders ready for Mickey Mouse’s cousin Spider-Man in this summer’s The Amazing Spider-Man released on July 3^rd?  Wait a Spider-Man movie?  There does not seem to be any tweets, blog posts, Facebook status updates or covers of D23 magazine to support this effort from Disney.  Why wasn’t Marvel’s most prominent hero not in The Avengers?  Clearly that had to be a mistake on Disney and Marvel’s part.  Well, I bet Disney would love to be promoting a Spider-Man movie, maybe even including him amongst the Avengers.  But they can’t do it.  Sure they can put Ultimate Spider-Man on the small screen to promote The Avengers but Disney does not have the rights to produce big screen Spider-Man projects.  Those rights are currently owned by Sony and The Amazing Spider-Man is distributed by Columbia Pictures and not Disney.  But I bet that Disney would love to get those rights, along with the rights for Spider-Man to appear in an Orlando area theme park, rights currently in the hands of Universal Orlando.  Despite the lack of press from Disney on this film, despite a Disney Store email I received letting me know they had Spider-Man gear, the new film seems to be doing okay.  And when I say okay, I mean the highest premiering film on a Tuesday in movie history.  Yes, the all important Tuesday!    



This isn't the Magic Kingdom!



In 2002 it felt like there had not been a superhero movie for decades.  Okay, there had been but sometimes perception is reality.  So that summer’s release of Spider-Man staring Toby Maguire as Peter Parker/Spider-Man telling the origins of the webbed one on the big screen was an event.  Overall I enjoyed the movie back in 2002 and thought it well done.  Now with The Avengers in the rear view mirror it seems less exciting and less like the event it was ten years ago.  Yes, it lead to a Spider-Man trilogy but when originally viewing it I just did not get the sense that was going to lead to something bigger like I did with Iron Man.

With Spider-Man being popular in the Between House right now, our pretend play trunk has recently seen a full costume added to it, it was time to dust off the DVD (yeah DVD) and watch this surprisingly Mousey Movie together. 

·     Dead Man’s Party:  All you have to see is music by Danny Elfman to setup a Mousey experience.  I was introduced to the front man of Oingo Boingo in 1989 with his brilliant collaboration with former Disney animator Tim Burton in Batman.  As I think about it maybe I should include this non-Disney hero’s tent pole film as a Mousey movie because it is loaded with Disney connections too.  But to come back to the point.  Burton and Elfman have worked together numerous times since including Disney’s 2010 Alice in Wonderland which earned a box office of over 1 Billion dollars, yeah capital B.  But his work has not been limited to Burton films and other Disney collaborations include Flubber, personal favorite Meet the Robinsons, Burton’s Frankenweenie to be released this year and next year’s Oz, The Great and Powerful.    

·     Warrior King:  Willem Dafoe plays villain Norman Osborn or the Green Goblin.  Dafoe brings a good amount of crazy to the role.  His eyes yell, “Hello, I am psychotic!”  For Disney Dafoe would play green again.  In 2012’s underrated John Carter he nailed the role of Thark, green Martian, Jeddak Tars Tarkas.  Yes I know his costume is CGI, but in the same way his eyes communicate crazy in Spider-Man his voice and captured motions scream nobility in John Carter.      

·     The 13^th Floor:  A few years ago I made a mistake.  Hoping to encourage one of my kids to ride The Twilight Zone Tower of Terror I rented 1997’s Tower of Terror starring Police Academy’s Steve Guttenberg.  I remembered the film as harmless and helping to provide a back story for a ride that I had only ridden only to a child scared off by the word terror.  Well, for a kid Tower of Terror can be well, TERRIFYING.  So note Betweenlanders Tower of Terror is not going to get a skittish kiddo to ride the elevator to the 13^th floor.  Now for us a five dollar bribe from a friend eventually did the trick and now I can’t get this same kid to quit ridding The Twilight Zone Tower of Terror.  Kirsten Dunst who plays Parker’s love interest Mary Jane Watson also plays Guttenberg’s young nice Anna in this made for TV movie and serves as the character in Tower of Terror that kids can most indentify with.  

·     Hero Maker:  I love it when the Between Kids find Stan Lee in a movie.  Yes true believers, Stan Lee has a cameo in this movie profiling his most prominent creation.  And I look forward to playing Where’s Waldo with Lee this summer in The Amazing Spider-Man.  I have heard the cameo is fantastic.   

·     Coming Attractions: Sam Raimi directs this 2002 Spider-Man flick.  Now he has stepped away from the Spider-Man franchise for other things.  These include 2013’s Disney feature Oz: The Great and Powerful, which tells the origin of the Wizard of Oz starring James Franco who plays Harry Osborn in Spider-Man. 

I enjoyed my afternoon reliving Spider-Man with first time viewers, especially ones so into Spider-Man at the moment.  The movie may not be on the scale of The Avengers but they do share the background of New York and you definitely feel as if you are in the same universe though Nick Fury won’t be stepping into any scenes.  If you don’t feel like you can take the entire family to this summer’s The Amazing Spider-Man while it’s in theaters Spider-Man is a good candidate for a family movie night.