Showing posts with label Joe Grant. Show all posts
Showing posts with label Joe Grant. Show all posts

Monday, January 17, 2022

Between Books - They Drew as They Pleased: The Hidden Art of Disney's Late Golden Age The 1940's - Part Two

 

Book cover showing hippos dancing

Short Version - They Drew as They Pleased by Didier Ghez is really good.  If you like or love Disney animation and books you will want very volume.  With volume three, that summary can continue!

Long Version - They Drew as They Pleased: The Hidden Art of Disney's Late Golden Age The 1940's - Part Two by Didier Ghez is the third volume in this art driven series.  Ghez again features treasures from Disney's story artists.  This volume focuses on members of the short lived Character Model Department in the 1940’s under the leadership of legend Joe Grant  The artists including Jack Miller, Campbell Grant, James Bodrero, and Martin Provensen may be a group that honestly are not familiar with every Disney fan.  But they were a group who contributed significantly to the look and feel of Disney features like Fantasia and animated shorts in the 1940s. 

For me, I really focused on Miller, Grant, Bodrero, and Provensen.  The Character Model Department  was only functional for a few years.  And they were often resented by their animation colleagues for their ability to play and dream.  But the group was made of high-quality artists, many of them finding their way to other commercial avenues after Disney.  And they were extremely close with Grant, Bodrero, and Provensen living together, playing together, and seeming like a real life Three Musketeers.  While there were several projects discussed, I found myself struck with the differences between Fantasia and Victory Through Air Power during World War II.  Fantasia concept art from these artists is true fine art.  But for the air power propaganda film, well there is no concept art in these brilliantly illustrated paintings.  As this Disney passion project bored them with charts and arrows and in some cases drove them one step closer to leaving the studio even joining the war effort.  Leaving the studio is a true theme as it is shocking yet again how short some of these masters’ tenure at Disney was. 

Yes, They Drew as They Pleased: The Hidden Art of Disney's Late Golden Age The 1940's - Part Two is a volume that history loving Disney fans want and need.  Well written and beautifully illustrated it is yet another joyful read. 

This post contains affiliate links, which means that Between Disney receives a percentage of sales purchased through links on this site. 

 

Monday, February 9, 2015

Between Books - Walt's People: Volume 14 Talking Disney with the Artists Who Knew Him


Sometimes you never know what gem you will find in a volume of Walt's People.  For me my most recent excitement was finding a connection to Disney and the end of the United States Army cavalry.  It is always surprising how a volume of Didier Ghez's edited collection reflects 20th century history and culture in unexpected ways be it the rise of modern media or the World War II home front.

Walt's People: Volume 14 Talking Disney the Artists Who Knew Him edited by Didier Ghez captures snapshots of Disney history from the early days of the studio to the development of Disneyland Paris.  The majority of chapters are oral history interviews with former Disney employees conducted by historians Dave Smith, Bob Thomas, Ghez, John Canemaker, Jim Korkis and more.  The interviews largely are arranged in chronological order.  Interview subjects that will catch the interest of most Disney fans include Alice Davis, Bill Justice, Joe Grant, and Lillian Disney.  But as always the collection also includes largely unknown names.  Along with the interviews are two essays, on Dick Kelsey and Eric Knight, and a collection of letters.  To close the book is additional reference material for those who want to look deeper into the subjects.

One should know that the majority of the book is interview transcripts, not a narrative.  For historians, as I keep saying, this makes these volumes fantastic resources since one can read the actual subjects account in their own words.  Yes at times the memory may have failed some or the interviewee may have remembered something incorrectly.  But the memory is as they recollect it.  For me because of my own interests the interviews that stood out to me were Lillian Disney and Admiral Joe Fowler.  The Disney interview conducted by Michael Broggie discusses Mrs. Disney's marriage to Walt Disney including their courtship.  Though for me what really stood out was the discussion of trains.  A reader discovers that she herself had her own connections to trains, though she largely did not participate in Walt Disney's passion for railroads.  But having Broggie who's father helped Walt Disney build his own backyard train and who himself remembers the Lilly Belle creates an very interesting situation as they reminiscence together about that phase of Walt Disney's life.  Additionally, Mrs. Disney shares with Broggie what her husband thought of Broggie's father Roger.  Being someone who has studied 20th century military history, I found the Fowler interview very interesting.  For me one of the most interesting moments was reading about his post-war position reorganizing the War Department.  As part of this charge, he helped oversee the retirement of the cavalry as a non-essential service.  As someone who has met a former cavalry veteran and visited a museum focused on the horse cavalry, I enjoyed uncovering the surprising connection. 

Walt's People: Volume 14 Talking Disney the Artists Who Knew Him is an essential volume for those who love Disney history (I feel like I have said this before).  The volume captures the words of those who helped create the magic.  Yes, you may read a story you have heard before, like Alice Davis' first meeting with Walt Disney.  But the majority of stories captured include recollections heard less, like why Davis left Disney employment.  Showcasing stories from over 80 years of Disney history including the animation, live-action and the Disney Parks, this volume likely has something that every Disney historian can appreciate.


Review Copy Provided by Theme Park Press