Between Books - Star Wars: The High Republic Tempation of the Force

The world has changed! Star Wars: The Acolyte has introduced scores of new eyes to the High Republic. It is rumored that the series won’t be coming back for a season 2, largely due to honestly toxic Star Wars culture and not due to story pacing or plot concerns. We’ve now seen Vernestra Rwoh in the flesh, and even rightfully I will argue been too obsessed with birthdays. So it’s a perfect time to jump back into the High Republic Between Books, and maybe even reflect on if the High Republic show changes my thoughts on the literature.

Star Wars: The High Republic Temptation of the Force by Tessa Gratton continues the epic space battle (or star war) between the Republic and the Jedi versus warlord Marchion Ro and his Nihil forces. Much of the focus of the book is Jedi Masters Avar Kriss and Elzar Mann as they seek a way to save those trapped within the Occlusion Zone ruled by the Nihil. They seek to combine technology and the Force to better understand hyperspace and how they can free the captive. Meanwhile, a new blight is visiting planets and leaving death in its wake. Marchion Ro and Jedi Knights Bell Zettifar and Burryaga seek to understand the relationship the blight has with the Force, the Jedi killing Nameless, and another almost forgotten adversary. Also, Jedi Master Porter Engle focuses on his own mission of…revenge? All of these events move forward to a stopping point that allows us to face all these problems in a future book.

First and foremost, some of these books have just exhausted me. Out of all of the High Republic books this has likely been my favorite. We have spent enough time with Avar, Elzar, Marchion Ro, and the rest of the supporting cast that we have enough knowledge to follow along with them and have some investment. I just had the feeling that this is a story that is pushing forward to conclusion. But there are so many elements that I feel many of them take from the rest of the story. This is a story laid out by a committee! I wonder if Gratton had permission to just create an Avar and Elzar story if it may have had better pacing and been a little more satisfying. We’ve seen so many characters culled from the story since Light of the Jedi, that I really wonder if less is showing to be more.

It does feel like there is so much story to serve. I thought Gratton had us on a path to a conclusion for the whole arc. But she’s not able to get there due to all of the elements. Those elements include an adversary that was introduced in the first phase of the project and then largely disappeared. Also, in this book, we begin to see the pay off to why the time jump backward was written. But even then, I don’t find that connection to matter much to me. Honestly, I think Marchion Ro is a really villainous villain. What I would like to see happening is the Jedi focussing on fighting him. I also could use a little more time with him and less with his subordinates. If we were given a High Republic arc that was basic Marchion Ro is bad, Jedi are good, Jedi need to stop him… we could have a pretty fun adventure. George Lucas is famous for “faster, more intense” and this principle could have helped the whole High Republic instead of building a lot of lore and worlds. Just give us Jedi are good, villains are bad, let's throw them against each other. I often tried to read this book in that light, which helped me as the pace seemed to slightly build up.

Gratton does give us a piece that I really enjoyed, Jedi in love! We have seen many times how love is seen by Jedi as a road to attachment. Avar and Elzar have a strong, long-standing relationship that is really complicated among the Jedi. This gives them moments to discuss love, and if it is a road to the Dark Side. They, for the first time, discuss how love can be freeing, love can be a road to the Light Side, and it does not need to be a prison. I’d agrue that Kanan Jarrus was the best of all Jedi, and he pushed into love. I appreciate that Gratton’s view of love aligns better with what I think many of us feel than the horrible tragic quality many other Star Wars books treat love as being. I love, it makes me better! It seems a few Jedi may actually agree.

So, I’ve seen Star Wars: The Acolyte which for this book likely mostly impacts my take on Vern. Vern is older, much older, and a little more cynical and political as a leader among the Jedi. So while Vern bounces around the sides of this story, I do see her less youthful and more hard-edged. I’m judging her for some of the opinions she’s expressing in glances. I think the writers would prefer I see these moments as how she got to that point on the show. But…due to recency bias, she’s already changed on the page.

Yoda appears in a fancy robe! I mean, Yoda is sprinkled lightly into the story.

Star Wars: The High Republic Temptation of the Force by Tessa Gratton is a fast-paced mostly adventure novel that moves quickly to the conclusion of this battle. The best portions of the story focus on Jedi seeking to defeat the villain. But sadly, the weight of the entire High Republic and the lore has slowed the pace. And overall, for a Star Wars project that I have been somewhat critical of…for story reasons…Temptation of the Force is likely my favorite offering yet. There is a nice little adventure in here. 

 

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Caps Comics - What If...? Donald Duck Became Wolverine

Regular Giada Perissinotto Cover

Shared birthday parties…I’m not a fan. Someone gets less attention than they should! In sharing a party between 90-year-old Donald Duck and the 50-year-old Wolverine, who will get less love. 

 Phil Noto Donald Duck Wolverine Cover

“What If…? Donald Duck Became Wolverine” is a fun mashup of Donald Duck and Wolverine written by Luca Barbieri with art by Giada Perissanotto. The story is pretty simple all-ages Marvel fun. Pete-Skull has taken control of Duckburg, including Uncle Scrooge’s Money Bin. There’s only one hero who can save us from this evil. Sleeping on Grandma Duck’s Farm is that duck hero…Donald-Wolverine. Another hero comes to the farm to recruit the reluctant angry clawed duck. The duo, then trio, go on a voyage to face Pete-Skull, where we discover Wolverine-Duck’s real superpower.

Peach Momoko Cover

Alright, I had to hide some secrets. Perissanotto’s art gives us some really fun Marvel-Disney crossovers. It’s too giddy joy to spill the beans on these images. The combo of Disney characters and Marvel costuming is just fun. I will reveal, that there is a wonderful splash page of Donald in Wolverine variant costumes that is super fun and I would love to frame on my wall. Donald’s feathers/hair is just so on-model for Wolverine and makes me giggle whenever he is in the frame. These images are more fun than the Disney 100 variant covers, which always were on the wrong comic. 

Ron Lim  Cover

This is written for Marvel fans. The story elements to me are a Marvel tale with Donald’s world and supporting cast tipping the hat to Marvel and not the other way around. I think the biggest gap among the cameos is no Watcher. “The What If…?” brand is really led by the Watcher, and we need an introduction from the Watcher to really setup the story and the world we are visiting within the multiverse. Oh geez, if only Donald-Wolverine had appeared in Deadpool & Wolverine with his perfectly styled feathers that would have made this all over-the-top. 

Skottie Young Variant Cover

“What If…? Donald Duck Became Wolverine” is Luca Barbieri’s first Marvel comic. He is an Italian writer who we should not be shocked to see wrote a few issues of Topolino, you know Mickey Mouse, and Wizards of Mickey. This is also Perissanotto’s first Marvel comic, though Perissanotto has provided Marvel variant covers. We should not be shocked that Perissanotto is also Italian and shares in the deep Mickey Mouse Italian comics tradition. I think it is brilliant that with this batch of recent Mice and Ducks Marvel is leaning into the Italian expertise instead of grabbing American Marvel artists and writers, other than Jason Aaron. 

D23 Variant Comic Set

“What If…? Donald Duck Became Wolverine” is an all-ages comic that is fun for kids and adult Marvel fans. I have enjoyed this recent wave of Marvel Disney comics and love there is more to come. It sounds like collectors are also enjoying these waves, with variant covers fetching big money on eBay. We also know that in the party between a Duck and the Canuck…the Duck wins as this is a Duck party from page one.

Between Books - George Pérez

We’re Disney Adults…we’re used to our favorite art not being taken seriously!

I’ve long been a fan of the late George Pérez. If anything, I thought he may have packed too much into his comic pages. But to me, he was a master comic book artist who helped inspire the look and storytelling of two of the most important comic book movies of all time, Avengers: Infinity War and Avengers: Endgame. Apparently, there was more criticism of Pérez than I believed.

George Pérez by Patrick L. Hamilton is a biographical monograph that takes comic book art and the work of George Pérez seriously. The text opens with a discussion of who Pérez was as an artist and criticisms of his work. This includes the fact that he was often considered slow as an artist and did not complete to the end all of his comic assignments. Additionally, Hamilton points out the primary of writers over artists in praise of comic book work. Let’s be honest, Stan Lee jumps to the top of more minds than Jack Kirby. Hamilton next outlines artistic visual choices that Pérez took in order to populate a full world around his characters and use the page to create vibrant action. The final two chapters discuss how Pérez depicted disabled characters such as the Teen Titans Cyborg and Jericho along with female characters like Wonder Woman and Scarlet Witch. Hamiltons shows his readers a common thread in his depictions! Pérez looked to draw reality into his characters and sought to avoid comic book troupes. Along with the discussion of the artist’s life, Hamilton includes a number of color and black-and-white images that demonstrate Pérez’’s artist endeavors.

Really the opening, with it’s criticism, was eye opening to me. As a comic fan, I know all about the obstacles that slower artists, often many of them the best, face in reaching deadlines. Pérez was one of those artists. But I think as shown in the visual examples found on the page, that his lack of speed was a tradeoff to realism. Pérez drew people and places that were vibrant and full. His backgrounds were filled with the clutter we find in our own homes. And his characters acted out like we would expect them to behave in the real world. Hamilton shows how Pérez grew to bind his reality to our real world. And I think it was all for the better, knowing how the Marvel Cinematic Universe, which is bound to reality, has used Pérez art as one of the guides to put comic pages into live action.

George Pérez by Patrick L. Hamilton is a trend I love. Academics are taking pop culture seriously as part of culture. This text is a serious academic work that can be used, and likely will be used, in college courses on art and sociology. It is published by an academic press! This is not a silly book about silly books. And you will feel like someone is taking beloved pop culture seriously.

For Disney fans, you will need to expect some discussion of DC comics, as comic creators often do shift from one company to another. For those who want to understand the evolution of an artist or get to know George Pérez and his legacy better, this is a short yet serious read that can challenge one about what they believe about silly comic art. I wish that when I was an undergraduate, or when I taught, that I had monographs like this available to better connect students to material they were familiar with while making serious points about culture and society. 

 

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Review Copy Provided for Review

 

 

Between Books - Disneyland: the Nickel Tour

 

$683 used! I get it. This book cannot land in everyone’s Between Books library. It’s $683 (today) used. I am being dramatic, there is a copy listed for only $295.99! It is acceptable condition, so it’s acceptable! When I got my copy, they typically ran for about $400. I got lucky. I purchased my copy off Amazon from a Friends of a Library group. I had a pile of gift cards, but still under $100. I reached out and said, this is what I have, I will cherish this book. I will respect this book. And I know what this book is. There is no other owner who will love this volume as much as me! And the friendly friends struck me a deal.

It’s 1995 and Disney fans and postcards hobbyists Bruce Gordon and David Mumford gave other fans a look into their extensive postcard collections in Disneyland: The Nickel Tour. From there, this book became mythical to Disney books fans as it has been cited in numerous Between Books sitting on the shelf. The flow is simple, and one we have seen many times since. Gordon and Mumford work through the park and provide the history of the park and its evolution using primarily postcards purchased at Disneyland and found in their collections. Those cards were often affordable souvenirs costing just a nickel. The hobbyists start with founding and they walk us through the decades up until the 1990s. The cards are supplemented with additional images not captured on postcards to provide us with additional context. They also offer fellow collectors checklists of cards that were offered in the parks.

Gordon, Mumford…which one of you is the funny one? Maybe it’s both. There are a fair share of dad jokes in this book that made me unexpectedly chuckle. Honestly, the light and friendly tone combined with images provide a very easy to engage with text. Throw in some additional background on attractions that we may not see mentioned in a lot in books and some images, like a bulldozed Fantasyland, to help one understand how this book has been referenced heavily. This is especially true as one asks how many Disney history books were offered in the 1990s.

The late authors often provide a tone that makes you believe that they are friendly with many of the figures they are discussing. When they talk about Tony Baxter for example, it comes off as their pal Tony, not some third party who they are simply chronicling. This is because they are bringing across in their tone the actual relationships they held. Gordon was an Imagineer who contributed to Splash Mountain, a project led by Baxter. Mumford worked on the Land and Star Tours in Tokyo Disneyland, a project that Baxter helped to design in the United States. This gave them the perspective as a pair of not only chronicling but in some cases making Disney history. It also can help explain their access to some photos not found in postcards. And despite their years at WED and WDI and vast achievements, it is in their role as Disney historians that they are often best known for, helping found a tradition of Imagineer historians with this being seen as one of their most important contributions.

I do need to warn those of us with collector personalities, this book can be addictive. And I’m not just talking about collecting this hard-to-find volume. As you read, you may find yourself saying, “One postcard isn’t a collection, and I like that image. It’s vintage!” Gordon and Mumford are enthusiastic not just about Disneyland but also about postcard collecting. I found myself putting the book down to shop on eBay several times. I have a little bit of an addictive personality, so one card could easily become 30. It does compliment the authors that 3 decades later, readers are excited not just about the Disneyland park that brought them to the volume, but also the hobby that helped extend their fandom.

Disneyland: The Nickel Tour by Bruce Gordon and David Mumford for many Disney fans may be unobtainium, a book that is priced well outside our price range. But keep your eyes open as you may never know what you will find. The volume itself is visual, fun, insightful, and best of all engaging. It helps us uncover a Disneyland that many of us never saw. It also binds us together in our shared fandom and excitement in our various hobbies. 

 

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Mousey Movies - Deadpool & Wolverine

Did you hear about the Disney film that is so profane, so outrageous that it has changed Disney forever? I mean the language! And don’t even get me started about the innuendo! There was a fair amount of exposed female bottom in the film. It was so bad, that Disney had to create Touchstone Pictures to release the vulgar picture, a phrase used throughout reviews, of Tom Hanks’ 1984 romantic comedy Splash!

I’m just saying we’ve been here before and we will be here again. Some movie-goers will not like the new Deadpool & Wolverine, and they should just not go see it! I actually thought of friends that this movie is not for while watching it. With this being the third film in the Deadpool franchise, it’s not like Ryan Reynolds has been hiding what his film is! If you know it’s going to offend you, don’t go. Yes there are going to be elements that you enjoy and look forward to. But…it’s a R-rated movie, it’s the biggest R-rated movie in cinematic history. But if you know you’re not going to like it, don’t go see it. I mean, that’s my strategy for dealing with things that I know are not to my taste. For example, I don’t view horror movies, I don’t like to be scared.

Disclaimer and Warning: If you have kids, while this is a Marvel movie and filled with superheroes before you consider taking them, you need to know your kids. I was shocked when I saw Logan that there were kids way to young in the theater for what I was seeing. I didn’t think these parents knew their kids better than I did based on the reaction. If you’re kids are not ready, you may have to explain some language and adult situations that could be uncomfortable!. SO DON’T JUST GO…be conscious of what’s going to assault your ears, eyes, and heart. Don’t think it’s a clean-cut film just because Deadpool is currently meeting fans at Disney California Adventure (who saw that coming)! Because, this is the third film in a R-rated series and you should know what this series is already.

I can see how some would say, why Marvel Studios, why a R-rated film? I say why not? The great experiment of the MCU has been mixing up genres. The MCU has proven that superheroes can be applied to multiple movie types…and this franchise was already established and well-regarded. Did I mention what movie was beaten for #1? Yeah, it was Deadpool!

I won’t summarize the plot of Deadpool & Wolverine as I don’t want to spoil anything. Did I get shushed for yelling out loud? Yes! Was I unsurprised by some elements due to rumors? Yes! Was I surprised that rumors I thought were ridiculous, came true? Yes! And were there pieces of the story I didn’t see coming? Yes! I went with a big group and the hard thing was walking out without spoiling it for those coming in.

But…is it good Deadpool using only my standards?

• Community: Yes, Wade Wilson as he enters this third movie has his community! If you see the trailers you know his motivation is to save the nine people who matter to him. These are his people, and he will do anything for them, even if he is morally flexible. Additionally, he discusses his past community people with X-Force and what could be next for him in a found community. The community aspect is massive in this movie as it guides decisions, helps him learn his lessons, and defines him as the plot moves forward.

• BetterUp: The movie opens with Wade in a broken place. Okay, he was broken from the first movie. But here he is really really trying to be better. He knows that his relationships and community need more from him. And so professionally and personally he has gone on an improvement quest which may have only made the matter worse. And from the second scene on, he’s working on himself.

• Laugh Away the Pain: Yep, it’s all there. So much of the humor in Deadpool & Wolverine is to hide or confront the pain felt by both Wolverine and Deadpool. We are on a journey my friend, and that nervous laughing is a bandaid. It’s just like when I couldn’t stop laughing on the Tower of Terror as a family member punched me thinking I was mocking them. No, I’m not laughing at you, I’m laughing through this. The absurdity is ramped up as Logan, Wade, and the situation are all things that put everyone on edge.

• Your Pal Wade: Hi Wade, you see me and I see you. Deadpool…and others… break through the wall and chit-chat with us the audience. At one point a look at the camera and two words did nothing but make me squeal. Wade knows we are with him on this quest, maybe even more than Grumpy Logan. And he appreciates us!

I loved Deadpool & Wolverine. Is it a cinematic masterpiece that will be the next Godfather? No, but how often do you watch that masterpiece? I was thinking about a rewatch in the theater while walking out as I know there is so much I missed. I never thought I would see a Deadpool movie…now I have three. I never thought I would see Wade and Logan together again and properly on the screen…now I have. For me this is what Deadpool & Wolverine is…a comic book event where the creators pull in visual and story references that make me squeal and have fun, showing the things I knew and sometimes didn’t know I wanted to see on the screen. Every comic reader loves it when heroes from other books meet in unexpected ways. It’s not overwhelmed with cameos, and I think they are used well. It’s also a tribute to a franchise of comic-book movies that have been eclipsed by the MCU, and may have actually made me miss it. 

It’s smart, it’s crass, and I will be watching it again.

Between Books - Deadpool: Dead Presidents

Deadpool boxes zombie Abraham Lincoln. Yes, this is great Deadpool!

As I said earlier, Gerry Duggan is part of some really really great Deadpool. Deadpool: Dead Presidents by Gerry Duggan and Brian Posehn with art by Tony Moore is really funny Deadpool. A misguided necromancer had decided he has the solution for a failing America, resurrecting the deceased presidents of the United States. But naturally, something has gone wrong, and they all come back evil! Now, Captain America could stop this threat, but when SHIELD realizes that it is a horrible look to have Steve Rogers beating on a zombie historical leader, they go to the one man who any press is good press…Wade Wilson. The merc spends the story stopping the devious plans of the deceased presidents, A through E level.

This is really really good Deadpool!

Wade is building community. He has a group of SHIELD agents around him in support including a new agent, Agent Preston, a character who is diverse and brings a lot of reason to an unreasonable story. But he also has Agent Scott Adsit in his support group, I mean Baymax! Adsit, the voice of Baymax in Big Hero 6 is a friend of Duggan and Posehn who were active in the comedy scene and they created him as a recurring fictional agent who you can still find a decade later still on the page. Yet, he has still not appeared in live-action, which is a huge mistake. The posse even includes the ghost, NOT ZOMBIE, Benjamin Franklin.

Deadpool is trying to be better. He’s a professional my friends. He wants to do a good job and make plenty of money. This a merc with a mouth with a motivation. The awesome thing about this run as it develops is Posehn and Duggan will give him even more motivation to be a good human. So if you pick this up, keep going. I mean it does have a cliffhanger which makes you want to go to the next volume.

Wade, is he my friend? Yes, I will admit he generally does not break the fourth wall. But he has plenty of quips that are clearly meant for me, I mean the reader. And he does explain to other fictional characters that he is talking to us. So we get an acknowledgment. My favorite moment though may be when he tells us what to listen to during a five-page montage. Honestly, it made it feel more cinematic.

Finally, if I have not made it clear enough…this story is absurd. Zombie Abe Lincoln! But in all the wildness, the creators give us a clear picture of what they thought of 2014 American society (spoiler it may not have changed much)! They also are brilliant in working in real historical facts about the presidents and super super obscure references to other Marvel storylines.

With Deadpool and Wolverine coming soon, you may be looking for a comic starting point. Deadpool: Dead Presidents by Gerry Duggan and Brian Posehn with art by Tony Moore is my recommendation. It does not require a lot of Wade’s backstory. It is silliness ramped up to 11. It has characters that will follow Deadpool around awhile, yes I want Adsit in this movie! Finally, the writing and art are top-notch!

Now get out of here and go read! 

 

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Between Books - Uncanny Avengers: The Resistance

Let’s continue our exploration of recentish Deadpool stories in the Krakoan Era of Marvel Comics. Will Uncanny Avengers: The Resistance satisfy a diehard Deadpool fan?

Uncanny Avengers: The Resistance by Gerry Duggan with art by Joshua Cassara finds the Mutants of Krakoa on the run. Orchis, an anti-Mutant organization, has filled the vacuum left by SHIELD (which is always falling apart) and has forced Mutants to leave Earth for exile on the planet Arakko (which you might call Mars). Avenger Steve Rogers cannot let this stand, and forms a team of X-Men and Avengers, the Uncanny Avengers, working to expose Orchis’ evil plans and allow Mutants the right to live freely on this planet. One of those Avengers…is our guy Wade Wilson. Orchis in an attempt to further discredit Mutants has a superpowered individual steal the Captain Krakoa costume formally worn by Cyclops to spread Mutant Hate in false flag operations. Can the Uncanny Avengers expose Orchis and the identity of their suited soldier?

So, let’s examine this story in light of whether is this really good Deadpool? First, Wade is fully a member of a community in this Avengers team. He has a group, he is loyal to them and they are loyal to him. He truly has a place where he mostly fits as a bridge between Mutant and non-Mutant heroes. Second, Wade is on his 100% best behavior. Steve Rogers is leading this group and historically he has proven his willingness to do whatever Steve asks and be a better person. This is Deadpool as we generally won’t see him in movies, a good soldier. Third, honestly, Wade does not laugh away the pain. This is going to sound wild, but, while he has some jokey jokey moments, he provides some of the most sincere and truthful moments of the story. He’s clearly there for the comedy relief, but the court jester speaks some hard truth. Finally, Deadpool is not our pal. He really has nothing to say to us as this is more of an Avengers/Captain America book.

The story is written by Gerry Duggan who has given us some of the beat Deadpool out there. Storywise, he does draw on some of his Deadpool past and some of his Deadpool family creations. But he is not writing haha hehe Deadpool. He is writing an Avengers tale that is well within the Krakoan Era of X-Men comics, which he has contributed to. He is one of my favorite writers; this is a solid story. Duggan just didn’t write a Deadpool story.

Duggan does rely on the history of Deadpool and the Avengers Unity Squad. Believe it or not, Deadpool is not just an Avenger, but has led and bankrolled the team. A big part of that history is Captain America, and allow me to say again, Wade’s willingness to do anything for him. This story does lead back into that willingness in some of the reveals. What happened shouldn’t have surprised me, but it did as I was expecting the soldier to be someone else. But Duggan really did hint hard at his final reveal.

There is synergy in using Avengers and Deadpool at the same time. There appears to be some sort of Avengers team in Deadpool and Wolverine. And this book does help remind at least comic readers that Deadpool has been associated with the team. Do I think it’s this team…not even close. But it could lean heavily on X-men like this story does since the Deadpool movies have been X-Men heavy and the most exciting trailer reveals have been X-Men heroes and villains.

I will say there is a lot of value in comics in reflecting today and providing stories for moral growth. There are some real ripped-from-the-headline-type moments here which reflect current events and maybe how we should react to these issues. Some may not like where Duggan goes. But as I often say about comics, we need to learn our lessons.

Uncanny Avengers: The Resistance by Gerry Duggan with art by Joshua Cassara is a good story that supports a major Marvel Comics story line with Krakoa. But it’s not the “best” example of what I like about Deadpool. Yeah, I like that the jester is wise! But Wade is definitely a supporting hero, not the lead. So while I enjoyed the story, it wasn’t a good example of my quest to showcase Deadpool. For that, we may need to go further into the past! 

 

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