Between Books – Hyperion Historical Alliance Annual 2023

New year, same review?


I feel like I restate the same thoughts whenever I read the latest Hyperion Historical Alliance annual.

Maybe it’s because I feel “excluded” and I don’t like that. I’d like to think I’m pretty serious when it comes to history.

The “2023 Hyperion Historical Alliance Annual” consists of five articles that span decades of Disney history from the early days of animation to the 1900’s in Disney parks. The five articles are:

• “Oswald the Laemmle Rabbit” by Tom Klein

• “Walt Disney and The Life of Hans Christian Anderson” by Didier Ghez

• “Woolie Reitherman Needs to Fly” A Disney Artist Goes to War” by Lucas O. Seastrom

• “1945-1946: Edgar Bergan and Disney’s Story Department” by Didier Ghez

• “Direct from the Islands: The Polynesian Magic of Pete Seanoa” by Nathan Eick

The articles are all written with an academic slant. And they have extensive footnotes with bibliographies showing source material. They definitely as a group are attempting to show the seriousness of Disney history.

For me, the most engaging topics were Oswald and Woolie Reitherman. Klein’s article demonstrated that the creation of Oswald the Lucky Rabbit was not fully in the mind of Walt Disney. In many ways, Oswald was a corporate creation, which reminded me of the modern studio and network system where executives, producers, and writers all have claim to pieces of the character. Disney’s additions were critical, providing Oswald with much of his character development and growth. But Klein makes it clearer that the Lucky Rabbit was a corporate rabbit not a Disney one. We might even call Oswald work-for-hire. The Reitherman article dives deep into the artist’s non-animation career as a military and civilian pilot. The article helps remind us of how the Greatest Generation was often more than one thing and career, which should inspire us! But it is also a history that includes World War II, transportation over The Hump into China, and the growth of commercial air travel.

The “2023 Hyperion Historical Alliance Annual” to me has an audience, Disney fans who want serious historical research. They want their passion to be validated as a serious academic pursuit. I also think these fans, like me, would love to support the Hyperion Historical Alliance in their mission. In fact, my proof is the purchase, reading, and review of now four Annuals. I just think that they need to grow the mission. I am someone who has a master’s degree in history. I’d like to think I am taking my history seriously. I am also not currently mining archives for serious historical additions to the knowledge base. But I would like to support those that are doing so. As someone who’s been a member of the Society of Baseball Research, who has a model I think can be used here, I don’t get why this isn’t being democratized. I’ve also been a member of the Society for Military History and American Historical Association, founded in 1884 and very serious, which both have options for non-working historians.

The “2023 Hyperion Historical Alliance Annual” is a collection of five historical articles that span the varying topics in Disney history. Most Disney fans, like I did, will likely find a topic of interest and comparisons to trends today in media. Again, I wish they would open membership up to a more scalable and likely-lasting membership model.

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Between Books - 2021-2022 Hyperion Historical Alliance Annual

I blinked and somehow the third Hyperion Historical Alliance professional journal escaped my notice. And then I saw it on Amazon…at a price that is simply a steal.

The Hyperion Historical Alliance Annual 2021-2022 consists of 5 scholarly articles on different topics in Disney History. “Bianca Majolie In the Story Department” by Didier Ghez delves into Walt Disney classmate Majolie’s time and contributions to story. “Drawn to Disney: La Verne Harding and Fred Moore” by Tom Klein discusses the influence of Disney Legend Moore on animator Harding at a non-Disney studio. “Walt Kelly in the Story Department” by Ghez outlines the contributions of Kelly in story. “Walt Disney Left His (Post)Mark on the World” by Maggie Evenson narrates the history of Disney postage stamps. And “Presidents, the Nixon Tapes, and the Disney Parks” by Bethanee Bemis chronicles presidential visits in the United States parks.

Overall, the Annual is scholarly writing. They are essays that have been researched and documented just like one would expect to find in the Journal of Insert Discipline Here. And that is really the point as the Hyperion Historical Alliance attempts to frame the group as a scholarly endeavor. For me, the most impactful essay was by Klein. The entry helped to flesh out a portion of Moore’s life for me, his exile from the studio. But it was also a strong reminder that due to prejudices, the Disney studio was not all it was meant to be. Harding was a wonderfully talented animator. But as a female professional, she would not be able to enter Disney at the position she had earned. I believe I spent around $3 on this journal. And that essay was well worth the purchase to me.

Of course, my yearly grumble is the lack of democracy among the Hyperion Historical Alliance. They want to be a professional organization taken seriously. So they have done much to close membership and stay labeled as scholars. While other organizations like the Society of Baseball Research (SABR) have sought to crowdsource research and build a community. I honestly would be very willing to pay $30-$40 for a copy of the journal, an online community, meeting discounts, and maybe a webinar or two. I heard Ghez discuss a PowerPoint presentation given to members about project status. And I would have loved to see it discussed. So yeah, there’s my yearly plea to consider opening up membership at a supporter/ally level. Because we Disney fans have some power and we want more Disney history.  I see that Heritage Auctions supported the publication of this latest edition, and I think Disney history fans would support this effort also.  And I would remind everyone that SABR has done an excellent job promoting baseball scholarship to the point I have been associated with history departments that taught baseball history seminars.
 

 

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