Between Books - Not Just a Walk in the Park

Do you want to talk about the Disney navy? Did you hear about the time Disney almost bought an aircraft carrier?

Not Just a Walk in the Park: My Worldwide Disney Resorts Career by James B. Cora with Jeff Kurtti outlines the late Disney Legend’s life and career. Cora begins his tale with a story of immigrants. Cora’s family immigrated from Lebanon before his birth. This resulted in a circumstance where his complexion and culture made him feel out of place. Cora entered the Air Force after high school, and post-service balanced school (which he struggled with), and a job at Disneyland (which he flourished with). Cora would be noticed by Van France and Dick Nunis for his ability to train and organize. After ten years that saw Cora move between Disneyland and Retlaw, he was asked to help oversee the on-site development of Walt Disney World with an eye toward operations. This established Cora as a Disney projects expert which launched him into decades of international adventures with roles overseeing development at Tokyo Disneyland, Euro Disney, Tokyo DisneySea, and unbuilt concepts as the leading executive for Disneyland International. Cora would retire after 44 years of Disney projects, but in his later life, he continued to make himself busy mixing his project, operations, and storytelling expertise to continue to delight his audience despite significant health problems.

Honestly, I was not aware of much of Cora’s career. And his writing is clear, and to the point, and I imagine his tone. He writes a book that is not just about Disney, but also his family's legacy in the United States, his personal failures, and his attempts to hold to a strong operational standard. I found myself amused by stories that were best told by him, like a pitch to purchase a scrap aircraft carrier to create a mobile Disney park. Cora also had a great vantage point to compare the creation of Disney parks in Japan and France. Spoiler, he found the Japanese to be the superior group of managers to work with going so far as suggesting their staff and not Americans may be the best trainers abroad. His life gives us a view from the middle of the hierarchy in getting Disney projects made abroad and lessons on managing up. As someone who grew up in the Eisner era, I enjoyed the stories of Michael Eisner asking for medical advice, while neither Cora nor Eisner should have been working. And the tales of the supportive Frank Wells just help to make him even more endearing.

I recently had a conversation about networking. I don’t like it. I am just a little too introverted. And I would like to think that my work and effort are what I should be evaluated against. I really get the sense that this is how Cora saw life too. He was raised by his parents to be hardworking. He was proud of what he did. Cora points out Disney Legends, such as Marty Sklar, who knew better than him how to be political in the office. But I think it is likely this what you see is what you get, and what is get is pretty darn good, which led figures like Dick Nunis to rely on him. And Cora himself did not suffer fools. His text has several references to organizational tendencies that he felt lacked efficiency. And there are stories of executives who lacked the proper work ethic or Disney spirit. Not everyone liked Cora, he at one point was key in corporate layoffs. But at least in his writing he also showed a very human side of himself.

Not Just a Walk in the Park: My Worldwide Disney Resorts Career had been on my to-read list for around a year. I’m really glad that I added it to my Between Books. Sure, it’s not a book filled with excitement and artistic lessons. And there is a lot about operations and career building, which I appreciated. But most of all while I am getting older in Betweenland, it reminded me that I have a lot to still contribute. And that everything behind me, can lead me to situations where I can still give to others.

Thank You, Mr. Cora!


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Between Books – The Disney Monorail: Imagineering a Highway in the Sky

 

The monorail is truly an iconic symbol for Disney parks.  Since this transportation option has not taken off globally, for most of us we only get to access this unique vehicle at a Disney park and when we run into one in the wild we naturally begin to think of times at Disney.  So it only makes sense for Disney to offer a mostly comprehensive history of Disney monorails.

The Disney Monorail: Imagineering a Highway in the Sky by Jeff Kurtti, Vanessa Hunt and Paul Wolski provides Disney fans a detailed monorail history.  The authors open the book with a look at early monorails in the 19^th century including the wide variety of construction options for these vehicles.  They follow discussing Walt Disney’s history with innovation and monorails culminating with his decision to build an Alweg style monorail in Disneyland.  This discussion includes studying the use of trains and pseudo monorails like the Viewliner at Disneyland.  The book discusses the growth of the monorails into other Disney global parks such as Walt Disney World and the Toyoko Disney Resort.   And the authors spend time exploring Disney monorail culture with merchandise and monorail themed non-monorail attractions.  The book ends with a listing of monorails out of the parks and Between Disney.  The book is illustrated throughout with Disney concept art and photos.

First and foremost, this is a beautiful book.  You likely cannot find one volume filled with so many wonderfully illustrated concept paintings and sketches from artists like Herb Ryman that have been terrifically framed and displayed on the page.  It is visual candy to the Disney fan.  Second, the book is a largely comprehensive history of Disney monorails.  It really felt as if very generation and major event of monorail history was outlined…but one.  The 2009 tragic collision with Monorail Blue and Monorail Pink at Walt Disney World is ignored.  Charts in the book mention these two monorails and their retirement but not why.  I really feel this is a missing event that should have been noted especially since the book talks about safety.  Since the young cast member pilot who passed away was a acknowledged monorail fan, a dedication would have seemed appropriate.  I wonder if this text had been published by someone other than Disney Editions if it would have included this sad incident?  But then the authors would have likely lost access to the rich art and images found throughout the book.  It is a balance, but it feels a little more like a promotional piece than a history due to this missing historical moment.  Even with this absence, the history really does a nice job of drawing out the evolution of monorails.  Readers will be left with an understanding of different styles and their usefulness over shorter distances and in industrial settings. 

In the end, The Disney Monorail is a beautiful book that most Disney parks fans will want in their Between Books library.  The images are just incredibly striking and one can get lost in them especially during a time when so many of us have between visits.  And the text provides a nearly complete and interesting discussion of Disney monorails.  I can think of many other Disney attractions that I would have to see Kurtti, Hunt, Wolski complete a similar treatment of which would delight parks fans.  

 

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Between Books - Disney Dossiers

Jafar was based on another Disney animated villain.

Huey, Dewey and Louie are related to a prominent duck who is not Donald or Scrooge.

Lucifer the Cat in Cinderella had a real life model linked to a Disney legend.

These facts and more can all be found in Jeff Kurtti’s Disney Dossiers: Files of Character From the Walt Disney Studios.  Each page is designed to look like an open file folder containing personal records, pictures and random notes that would be useful to a Walt Disney animator or story man.  The characters covered are not exhaustive but detail the background on all major characters from Mickey Mouse to the animated features of 2006.  Some files include two page narratives discussing the character while others may only have two sentences.  Other pieces of information found in the descriptions include filmography, relationships, works well with lists, does not work well lists and summaries of key supporting characters or foils.  Some characters share pages, while other major characters like Mickey Mouse receive a multipage spread.

This is a fun book but not an exhaustive one.  The details provided on characters vary and some credit lists are selected only.  But the character selection is well done, with even The Reluctant Dragon being covered.  The facts that Kurtti provides do provide some ah ha moments for even the more knowledgeable reader.  The real fun of the volume is the pictures which include concept art showing us versions of the familiar characters that did not make the screen.  And it is fun to pretend that one is flipping through the confidential files of Walt Disney Animation.

Jeff Kurtti’s Disney Dossiers: Files of Character From the Walt Disney Studios provides a fun reading experience, and one that can be revisited to provide light entertainment.  It may not be deep enough for hardcore Disney researchers, but it would provide enjoyment to children wanting to know more about characters or casual readers.  And for both children and adults the images will likely be pleasing.  It is a nice addition to a Between Books library, but not as essential as some of Kurtti’s other works.               

Between Books - Walt Disney’s Imagineering Legends and the Genesis of the Disney Theme Park

Jeff Kurtti in Walt Disney’s Imagineering Legends and the Genesis of the Disney Theme Park outlines the lives of 30 Imagineering legends, both official Imagineers and unofficial ones, that help build the Disney theme parks that we love today.  Kurtti begins with Walt Disney himself, whom Kurtti labels as the original Imagineer.  Kurtti follows with themed chapters including The Prototype Imagineers, The Executive Suite, The Place Makers, The Story Department, Masters of Mixed Media, The Model Shop, The Machine Shop, The Music Makers, and The Unofficial Imagineers.  The book concludes with a section titled The Renaissance Imagineer which provides a slightly longer biography of John Hench.  Most of the biographies are less than five pages and filled with photos and illustrations from the legend’s career.   

The text itself is factual, well researched and a valuable resource for the lives of these Imagineering legends.  Each biography provides a quick overview on each figure spotlighted.  The biographies are more than just bland facts, with the Kimball chapter discussing the low points of Walt Disney and Ward Kimball’s relationship and another explaining why Yale Gracey is a mysterious figure in Disney history.  The only difference between the quality of information and style I have found in Walt Disney’s Imagineering Legends and the Genesis of the Disney Theme Park and academic historical books and articles I have read is the sources which include fan magazines, which for Disney legends are an excellent resource for their past interviews.  Some readers may find the writing an obstacle since it is academic in nature.  Therefore, it can be difficult to “get into” each biography if one was hoping for a hook to pull you into the story.  

Walt Disney’s Imagineering Legends and the Genesis of the Disney Theme Park is an essential volume for any Between Books library.  In less than 150 pages it provides an introduction to 30 key players including Walt Disney himself.  I personally have consulted this volume a number of times to verify and clarify information.  Due to its size and writing style it will never be a book one packs up to read poolside, but it is a book one will consult again and again as you ask yourself questions about these men and women.  If anything I hope Kurtti would consider another volume in the future including new Imagineering legends not included like Marty Sklar and Tony Baxter.