Showing posts with label Larry Lieber. Show all posts
Showing posts with label Larry Lieber. Show all posts

Tuesday, February 18, 2025

Between Books - Origins of Marvel Comics: The 50th Anniversary Edition


Book cover of Origins of Marvel Comics showing a typewriter with a pair of typing hands and other hands drawing Marvel's Thor, Hulk, Doctor Strange, Thing, Human Torch, and Spider-Man




1974’s Origins of Marvel Comics has long been on my bucket list of to read. But other books got in the way or I would say it’s nearly 50 years old and going nowhere fast. I can get to it later. Then editor Chris Ryall pushed this classic volume to the top of the list by packaging the Stan Lee classic into a pretty package that reached out to my nostalgia and history-loving heart.

Origins of Marvel Comics: The 50th Anniversary Edition by Stan Lee and edited by Ryall repackages the Lee text for a contemporary reader. Ryall provides readers with the Fireside book including all of Lee’s original commentaries and the art to match the original, for example, a green Hulk seen in the 1974 book and not the gray Hulk from the original comic. The stories found in the book include reprints of the origins of the Fantastic Four, Hulk, Spider-Man, and Doctor Strange along with a later issue to show more developed versions of the beloved heroes. Along with the original book are essays that discuss the history and importance of the book. Today’s writers using the light of history also discuss Lee’s original remarks with some looking to provide credit to writers like Jack Kirby, who felt that Lee’s words diminished their efforts. But, this is not a Lee-bashing book with the inclusion of essays from Lee proponents like his brother Larry Leiber. Artist Alex Ross provides the hardcover’s dust jacket with a new homage cover, which he provides a step-by-step process for within the text. As we look back at much of the controversy of the creation of many of these heroes, the new 2024 edition is a very balanced approach, recognizing the efforts of both Lee and his partner artists.


Reading this today, I am really glad I waited and didn’t try to find a secondary market copy of the 1974 or other editions. My assessment of the Marvel creators is that much like Disney corporate history, everything worked best with dual genius leading the way (Walt/Roy or Michael/Frank). I think that the golden age of Marvel creation was pushed forward by Lee and Kirby, Ditko, and other artists. Lee’s original introductions balance this reality, with him calling out the King Jack Kirby and his partnership with the Fantastic Four. But he with Doctor Strange wrote an introduction that was full Marvel publicity machine with Lee highlighting his efforts and framing Ditko’s role as assigned artist not a key voice in the Strange creation. These introductions from Lee give you the two sides found in the Marvel media machine of the 70’s, an all-encompassing Stan Lee with nodes to important artists that made the funny pictures come alive.

The new essays are not going to change everything. For example, the Lieber interview does not fully address the known tension between the brothers. But I do feel like the Lieber discussion does help show how Lieber feels today, as the surviving brother who in many ways is cherishing the memory of a brother who while distant at times was also supportive and brought him into the Marvel family.

Origins of Marvel Comics by Lee was an important cultural moment in the popular acceptance of comic books. Fireside put Marvel stories in a bound book and placed the stories in bookstores. Ray Bradbury wrote a review of the book, included in the text, which demonstrated the important literary moment for comics with this publication. In the book, even Lee calls the comics strips, the more culturally accepted visual media of the time. There were no graphic novels. In fact, this may be one of the first models for a graphic novel. Bookstores were not being kept afloat with large sections fills with graphic novels and anime and all the toys and gear associated with these properties. Fireside with this book made reading a comic acceptable due to the bound nature of the book. This first offering led to other Lee and Fireside offerings in books like Son of Origins of Marvel Comics and Bring on the Bad Guys. And this reader hopes that Ryall is given the chance to repackage some of the other volumes for today. Especially since these hardbacks would look really great side-by-side.

Origins of Marvel Comics: The 50th Anniversary Edition by Stan Lee and edited by Chris Ryall is a must-read for Marvel Comics fans. Even those who have a vintage copy on their shelf, will want to grab the new edition. First, let’s be honest, we are collectors. Second, the new essays and Ross’ art add to the context of the entire project. Finally, for those who have not dipped their two in, this work is an important moment in not just Marvel but now Disney history and you may wish to check it out. Without Lee’s bigger-than-life personality, we would fail to have the Marvel Cinematic Universe and other Marvel stories in so many formats that exist today.  

 

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Monday, September 16, 2024

Cap's Comics - What If…? Donald Duck Became The Mighty Thor


Cover for What If...? Donald Duck Became thor showing Donald Duck as Thor fighting Stone Ducks
Lorenzo Pastrovicchio Cover


This summer we have been graced with Marvel comics that celebrated Disney classic characters with them taking the roles of Thanos and Wolverine. But summer has to end! Let’s end it with one last adventure.

“What If…? Donald Duck Became The Mighty Thor” with plot by Steve Behling, script by Riccardo Secchi, and art by Giada Perissinotto gives us one more look at the 90-year-old duck taking up the mantle of a Marvel hero. In this one-shot comic, Donald Duck takes his nephews on a Norwegian vacation to an ancient archaeological Viking site so they can earn their Junior Woodchuck medal for Ancient Viking Relic Explorers. While scrounging for priceless Viking heirlooms, the Earth is invaded by the Stone Ducks of Saturn who land on this ancient site. Donald seeking shelter from the danger finds an old wooden cane which when knocked grants a worthy one, wow Donald look at you, the power of the ancient Norse God Thor. Equipped with these new abilities, the Mighty Donald is the only hero who can save us all! 

Variant cover for What if ...? Donald Duck Became Thor showing Donald Duck as Thor being struck by lightening.
Phil Noto Donald Duck Thor Cover


Of the three Disney specials we got this summer, this one is the most all-ages and maybe a little bit more kid-focused than the rest. There is a little less inside adult humor to me, with this offering being more of a kids-friendly brawl and fight story. The biggest Easter Egg for adults is the story’s heavy parallels to the original Journey into Mystery #83 story “The Mighty Thor and the Stone Men from Saturn” which was Stan Lee’s, Larry Lieber’s, and Jack Kirby’s debut of their Norse hero in 1962. The story in many cases is beat-for-beat of the original Marvel classic. And maybe this is why it seems more kid-friendly, with it being a very 1960s plot at a time when comics were more kid-focused. I do like the changes, with movie star Korg’s Stone Men being turned into Stone Ducks, which fit the story well.

Donald Duck is a good uncle and a horrible archeologist! 

Variant cover for What If...? Donald Duck Became Thor showing a artistic Donald as Thor shown from the side ready to strike his hammer.
Peach Momoko Cover


Perissinotto has given us art for two of these stories now. The art here is very approachable and inviting. One of the changes you will notice here is the writing duties shared. The plot was provided by Behling who has written a handful of young reader books for Disney, many using Stitch. The script, just like you would see in a movie with the frame-by-frame and line-by-line framework for the artist, was developed by Secchi. Secchi does not have many comic credits, but he has written Disney classic characters with an issue of Disney Hero Squad: Ultrahumans served up to readers over a decade ago at Boom! Studios. It’s not uncommon to see plot and script duties separated. One of my favorite examples is DC’s Justice League International. But much of the vigorous debate in the Marvel world is that often Stan Lee provided plots while his artists like Jack Kirby really did the scripting at various levels of detail. Which at times, did not make it clear who was responsible for what among the old masters. Overall, the team does a nice job, as I think kids would appreciate this story which may seem familiar if they have seen any of the Marvel Cinematic Universe.

However, I do wonder if the inclusion of an editor’s letter and some concept development pages in the end hint they may have been a little short in story? 

Variant cover for What If...? Donald Duck Became Thor showing Donald Duck as Thor looking at his and slamming the hammer down.
Walter Simonson Cover


“What If…? Donald Duck Became The Mighty Thor” with plot by Steve Behling, script by Riccardo Secchi, and art by Giada Perissinotto reminds us that summer always comes to an end! I have as a Disney and Marvel fan gotten a chuckle out of these one-shot comics. I have appreciated how on different levels there is something here for kids and adults, much like this issue. 

Variant cover of What If Donald Duck Became Thor showing a cute version of Donald as Thor flying through the air in circles being pulled by the hammer.
Skottie Young Cover


Turning the last page…wait, Minnie becomes Captain Marvel in November! Yes, please!